VENUS FEST: Helping Women & Non-Binary Artists Be More Visible

During Toronto’s Fringe Festival in July, Venus Fest acted as a musical curator for Fringe’s Postscript Patio happening at Dundas and Bathurst and the K.M. Hunter Charitable Foundation is a proud supporter of this exciting and meaningful project.

For the second year in a row, Venus Fest curated a mini music festival featuring a lineup of all women and non-binary artists and offering free, accessible, outdoor programming for Fringe-goers, music lovers, and Toronto residents right in the heart of downtown. The lineup included performances by No Joy, Nuela Charles, Moscow Apartment, New Chance, Maylee Todd, and many more, and was designed to create a showcasing platform for established and developing women and non-binary artists to support their visibility within the city.

Photo above of Camille Jodoin-Eng and Charlotte Cardin at The Opera House.
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Perceptions are everything.

Perceptions are everything, but they are not always accurate. See, hear and become aware of the truth through this selection of inspiring, confronting and confusing stories that reflect the community, their friends and their foes… which are sometimes themselves.

Sponsored by the K.M. Hunter Foundation and TD Financial, Presented by imagineNATIVE, Perceptions is a curated selection of short films by imagineNATIVE, the world’s largest presenter of Indigenous screen content. They are recognized locally, nationally, and internationally for excellence and innovation in programming and as the global centre for Indigenous media arts.

As an Indigenous-run organization imagineNATIVE has won the highly competitive and prestigious Premier’s Award for Excellence in the Arts (Ontario) in 2018. Committed to public education, they strive towards dispelling stereotypical notions of Indigenous peoples through diverse media presentations. They also conduct professional development workshops and panels, public education initiatives, research projects, and curriculum/educators’ packages for secondary schools created from Indigenous pedagogies.

Presented by imagineNATIVE
Friday, October 25, 2019 | 10:30am
TIFF Bell Lightbox, Cinema 3

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Shanawdithit: A Libretto of Remembrance

Pictured above: The Honourable Elizabeth Dowdeswell, Lieutenant Governor of Ontario

Shanawdithit is a landmark Canadian-Indigenous world premiere opera, opening at the Imperial Oil Opera Theatre this May. Following three seasons of award-winning world premieres, Tapestry is collaborating with, and raising an artistic platform for, Indigenous artists to tell this vital Beothuk story.

The opera centres on the story of Shanawdithit (1801-1829), thought at the time of her death to be the last known member of the Beothuk Nation in what is now called Newfoundland. In 1829, Shanawdithit was taken to St. John’s by William Cormack, where she created a series of ten drawings that spoke of the life of her people, their encounters with the European settlers, and loneliness of survival. These detailed drawings are the foundation of the opera. 

Still of Marion from the Shanawdithit trailer.

As nearly all of the Beothuk’s published history was written by Europeans and non-Indigenous historians, this collaboration sheds a new light on a story and people misrepresented by deeply flawed documentation. The story and libretto is written and curated by celebrated Cree playwright Yvette Nolan, with a score composed by Newfoundlander Dean Burry. 

The opera brings Indigenous artistic collaborators together from Nations across the country to give voice to Shanawdithit and her people, responding to the ten drawings that are the only first-person account of the life of the Beothuk. Collaborators, performers, and Indigenous community members have been instrumental in the shaping of the work from the beginning of development, through a collaborative and workshop-driven creation process influenced by oral and visual histories passed down to them. The collaborators have studied each drawing and determined how to communicate the essence of Shanawdithit’s account, using dance, language, costume, photography, projections, sculpture and set design to bring her drawings to life on stage.

Imperial Oil Opera Theatre
May 16-25, 2019

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Hari Krishnan: Life, longing, loneliness, lust, love, laughter, lies, loss… life.

inDANCE’s double-bill premiere “16 shades of RED”—chapters 1 and 2, at the Mondavi Center (UC Davis, California) on May 12 and 13, 2018.

16 shades of RED features courtesan- inspired-dance from South India, showcasing original repertoire rarely experienced on contemporary world stages. Dancing in a series of solos and duets, Srividya Natarajan and I had the time of our lives accompanied by musicians Davesh Soneji, Vidya Sankaranarayanan, Vaaraki Wijayaraj, Kajan Pararasasegaram and Mithuran Manogaran, with lighting design by Jack Carr, costume & set design by Rex, stage managed by Tara Mohan and produced by Shana Hillman.

“These are extraordinary artists and their two performances at the Mondavi Center were transcendent. But even beyond their finesse, their artistry, the elegance and verve of their dancing is a deep-seated ethic, a commitment to challenge notions of caste, class and gender with and through dance. And to never let us forget the gifts that hereditary communities have given them. It is a testament to their artistry and to the human beings they are that some of the most marginalized, disenfranchised and stigmatized women in the world trusted them with their most precious treasures, and in turn they shared them with us with such sensitivity and care. It was a privilege to watch them perform these past two days: moved, humbled, honoured. I hope we can have you all back in Davis soon.” -Dr. Archana Venkatesan, UC Davis

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